Rooted in the history and traditions of the Pacific Northwest, Jonathan Evison’s West of Here rethinks the epic American novel for the 21st century. Dan Coxon talks to the author about the difficulties of selling his American vision overseas. Portrait
Read MoreArchive for Category ‘Spike Contributors’
Gauge: Hustler on the Move (Aqua Boogie Records)
Reviewed by Eric Saeger Texas rapper Gauge knows how to compact syllables, but that won’t separate anyone from the current pack, especially given all the dried-up roto-tom-filled beats on this docket, the worst of which is Beat It Up, an Usher-blingy
Read MoreKiyomi: Child in Me (self-released)
Reviewed by Eric Saeger Interesting little vanity release here in that it stars a Japanese-American chick from New Yawk doing an unintentional Forrest Gump routine. I’d expected jazz, but this is straight piano pop, open-hearted, almost like something
Read MoreReverse The Curse: Hither and Yon (Paper+Plastic Records)
Reviewed by Eric Saeger Take a bunch of Cleveland-burb kids who wish they were in either Airborne Toxic Event, Unsane or Thursday, let them yell, holler and flog themselves in a studio and it’d sound like this. If I’m reading their blurb sheet right
Read MoreTV Eye: 30 Rock and Jonathan Meades on France
Jacob Knowles-Smith on homophobia in elitist liberal comedy and nationalism in polymath documentaries After the inconvenience of creator Tina Fey’s pregnancy, the new season of 30 Rock (NBC) has finally aired. If there was one impact of her pregnancy
Read MoreJohn Warner: The Funny Man
Reviewed by Declan Tan John Warner’s debut novel, about the rise and fall of an unnamed American comedian known only as “the funny man”, is a mulchy broth of satire, cultural commentary and La-Z-Boy philosophy that simmers away on lukewarm,
Read MoreBenji Kaplan: Meditacoes no Violao (Circo Mistico Productions)
Reviewed by Eric Saeger New York-bred Brazil-o-phile Kaplan provides a sort of life-travelogue here, soloing nonchalantly throughout the entire album on his nylon-stringed unplugged guitar. It’s so relaxed and unhurried that it can come off as improv,
Read MoreAbyssal Creatures: Social Awkwardness (Independent Records)
Reviewed by Eric Saeger A vanity release in more than one sense. Colorado kid Ian Garrett Fellerman is a lonely geek with a score to settle with jocks, chicks who read Dostoevsky, pretty much everyone of his generation, so he’s attached his own Hoobastank
Read MoreShame (Dir: Steve McQueen)
Reviewed by Declan Tan Steve McQueen’s second feature is a visually arresting, thematically dense piece of cinema, that may, and probably will, prove to be an important film in years to come. That is, if enough people get to see it. Having been cursed
Read MoreThe Chocolate Horse: Beasts (Stable Records)
Reviewed by Eric Saeger Specializing in the wispy, sparse and non-commital zen that defined 70s chill-folk-rock, this Cincy band makes elevator music for bongpackers old and young. They rarely deviate from a formula that nestles Blind Melon between Mountain
Read MoreRegurgitator: SuperHappyFunTimesFriends (Valve Records)
Reviewed by Eric Saeger Their seventh full-length finds these anti-Wiggles Aussie punks floating an endless supply of quite listenable joke tunes powered by (very appropriate) bones to pick. All Fake Everything is just awesome, singer Quan Yeomans taking
Read MoreLowe: Evolver (WTII Records)
Reviewed by Eric Saeger The rate at which Chicago indie WTII has been wailing on Metropolis Records in the fight for the goth dollar has been noticeable lately, and now it’s even happening in the 80s-pop sideshow that’s becoming more and more a part
Read MoreLondon’s Epstein Sculptures: Part 7: Hyde Park
The final photo-essay by Dr Nick Maroudas on Jacob Epstein’s public sculptures around London. The series begins here Epstein lived at no. 18 Hyde Park Gate, and it says much for the civic pride of this ultra-respectable neighbourhood that he was twice
Read MoreTV Eye: The Story of Musicals and Timeshift: The Smoking Years
Jacob Knowles-Smith tries to make sense of this season’s viewing With the Christmas schedule now safely out of the way, viewers can settle into shows designed to ward off the effects ‘the lull’ and winter blues that come without an enforced sense
Read MoreLondon’s Epstein Sculptures: Part 6: Portrait Busts and Elemental Carvings
The sixth of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here These little works are scattered round the world, but I happened to snap them on exhibition in the West End. The Epstein centenary
Read MoreLondon’s Epstein Sculptures: Part 5: Parliament Square
The fifth of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here “The finest body of mounted riflemen in the world”. Generous tribute to a former foe of the British Empire, from Churchill’s
Read MoreFreddy V: Easier Than It Looks (Watersign Productions)
Reviewed by Eric Saeger Okay, okay, about four songs in I get where this is going, basic Weatherscan background jazz à la Kenny G, born from Freddy’s artistic turpitude developed during hack stints with Average White Band, Michael McDonald, need I
Read MoreGhost Knife: Kill Shelter Yes (End Sounds)
Reviewed by Eric Saeger There may be much unfortunate confusion when people buy this LP expecting “pop-punk,” one of the main categories into which this stuff’s been lumped. This stuff has nothing to do with the oversaturated emo market, as fans
Read MoreLondon’s Epstein Sculptures: Part 4: Victoria and Battersea Park
The fourth of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here Victoria – For London Transport Transport House at 55 Broadway, over St James Park tube station, was the tallest building in
Read MoreLondon’s Epstein Sculptures: Part 3: Cavendish Square – For The Convent of the Holy Child
The third of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here One side of John Lewis’s (“never knowingly undersold”) fronts bustling Oxford Street with its rabbits that dart on and off
Read MoreLondon’s Epstein Sculptures: Part 2: The Strand – For The British Medical Association
The second of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The first is here “Let’s all / Go down the Strand”. Walking along the Strand is always a pleasure because of its variety and the nearness of the
Read MoreIntensus: Intensus (Metal Blade Records)
Reviewed by Eric Saeger Journeyman multi-instrumentalist Eli Litwin is from Philly, where he latched on to the extreme-metal scene at first before growing to dig math-metal and basically anything else that makes guitars sound utterly nuts. Even an eclectic
Read MoreMartin Moretto: Martin Moretto Quintet (self-released)
Reviewed by Eric Saeger Sometimes you’re just looking for a little dinner-jazz and lots of subtlety. Moretto, an Argentine jazz guitarist based in New York, explores the sublime in his debut LP as a leader, pulling off some barely-there genius (the
Read MoreLondon’s Epstein Sculptures: Part 1: Bloomsbury
The first of seven photo-essays by Dr Nick Maroudas on Jacob Epstein’s public sculptures around London Prologue I had read Epstein’s Let There Be Sculpture in South Africa, along with many other books, when I came to Imperial College of Science
Read MorePK: BibliOdyssey: Amazing Archival Images from the Internet
Reviewed by Sourav Roy How does one review a book like BibliOdyssey? This is not just a rhetorical question to open a book review, but also a genuine query. Because though BibliOdyssey feels like a book and looks like a (very handsome) book, is anything
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"Thank you Willie for the kind comments about my book. You are particularly on the nail about me consciously..."
"This is an excellent tour. Thank you, Dr. Nick, for taking me by the hand and introducing me to a..."
"Excellent research, compelling delivery................"
"The feedback is very much appreciated, CAP. I'm a huge fan of this interview and we're gradually uploading Thyrza Nichols..."
"Great interview, from obviously a very articulate artist. A shame it's so old though. Could the artist's views have changed..."