The final photo-essay by Dr Nick Maroudas on Jacob Epstein’s public sculptures around London. The series begins here Epstein lived at no. 18 Hyde Park Gate, and it says much for the civic pride of this ultra-respectable neighbourhood that he was twice
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London’s Epstein Sculptures: Part 6: Portrait Busts and Elemental Carvings
The sixth of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here These little works are scattered round the world, but I happened to snap them on exhibition in the West End. The Epstein centenary
Read MoreLondon’s Epstein Sculptures: Part 5: Parliament Square
The fifth of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here “The finest body of mounted riflemen in the world”. Generous tribute to a former foe of the British Empire, from Churchill’s
Read MoreLondon’s Epstein Sculptures: Part 4: Victoria and Battersea Park
The fourth of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here Victoria – For London Transport Transport House at 55 Broadway, over St James Park tube station, was the tallest building in
Read MoreLondon’s Epstein Sculptures: Part 3: Cavendish Square – For The Convent of the Holy Child
The third of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The series begins here One side of John Lewis’s (“never knowingly undersold”) fronts bustling Oxford Street with its rabbits that dart on and off
Read MoreLondon’s Epstein Sculptures: Part 2: The Strand – For The British Medical Association
The second of Dr Nick Maroudas’ photo-essays on Jacob Epstein’s public sculptures around London. The first is here “Let’s all / Go down the Strand”. Walking along the Strand is always a pleasure because of its variety and the nearness of the
Read MoreLondon’s Epstein Sculptures: Part 1: Bloomsbury
The first of seven photo-essays by Dr Nick Maroudas on Jacob Epstein’s public sculptures around London Prologue I had read Epstein’s Let There Be Sculpture in South Africa, along with many other books, when I came to Imperial College of Science
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